None of this is fortunately the case. The album certainly has a far greater commercial potential than its predecessor, but is still just as authentic and profound. It exceeds my opinion even development aid since it is much more complex, deliberate, sophisticated and varied. The partially somewhat crude mixture of mysticism, politics and philosophy, in which you do not always know whether the text is somewhat arbitrary, or simply is incomprehensible deep in the meta-level and one is an idiot himself, has given much more sophisticated and more considered texts. Lyrically acts Amewu adult and mature. The still, in some songs occurring inflationary and pregnant with meaning use of metaphors and symbolisms acts in regard to issues, themes less disturbing than it was partially the case for development aid.
When superficial listening it seems at first as if claim was lost. This is mainly because that now are much more deliberate and structured inserts its technically outstanding capabilities at the point of Montonen and throughout rapped Double Times without much variety. Of course, the matchless, dizzying flow of development aid was one of the unique selling points of Amewu and held Kayone listeners of the commercial rape of a real artist from. For tracks like machine, or Universal but this flow was perfect, on the duration of an album a bit monotonous and tiresome. On Leidkultur Amewu now makes everything better and scatters his Double Times swift and appropriate. He stressed more and pushes with his voice a wider range of emotions from. His varied flow brings more structure, tension and a better structure in the songs, which is from those very varied and well-produced beats, underlined. These are of different producers and still fit together perfectly on a CD, which is just at HipHop extremely rare.
Is Leidkultur my opinion, the. So far most complex and smartest album of the German rape and an absolute must for any lover of profound, good music Even for people who can not do anything with just under 60 minutes meta level it is worth buying, to easily be able to listen to only the incomparable flow, brilliant technique and the well-produced and original beats.
Tracklist:
1.Leidkultur 4/5: Relaxed beat, subtle guitar with wah, simply structured and unobtrusive drums bassline. Good text, good flow.
2.Fortschritt 3/5: Beat not particularly like me personally, theme deceleration of modern society, not bad but not one of his best.
3.Lichttherapie 5/5: INCREDIBLY AWESOME! Absolutely Hammer beat, beautiful, classic and original. Kluger text, good choice of themes and lyrical perfectly.
4.Untitled 6/5: Hit me on the mouth, this is cool! Best song on the album. The beat is just awesome. One of the few beats throughout Hiphop area that are really arranged musical quality. Absolutely reinziehen with head listening and paying attention to the beautiful tapestry of sound. The text complements the whole, intelligent and profound than almost any other song from the genre. Who wants to really worry about, the deal is long with possible interpretations of this song.
5.Schnittmenge 4/5: Also very relaxed, nice beat, sometimes a bit cluttered with instruments. For this one, again intelligent text, chill Flow, what more could you want?
6.Stone 2/5: Kitschy beat and I can start anything with the feature, the weakest song on the album.
7.Stein in the sea 4.5 / 5: Melancholic, heavy and beautiful beat. Hammer Flow and all in all super track, but not outstanding.
8.All One Being 4/5: Sad and atmospheric beat. The default theme, somewhat self-pitying and whiny, but as everyone is just in heartbreak. Otherwise, flow, text etc. everything solid.
9.Training Day 4/5: Beat unspectacular but technology from the finest of all.
10.Rückblick 3/5: Beat relatively weak and I do not particularly Chefket. Amewu as always solid.
11.Demut 5/5: Alter Schwede what a nice, subtle beat. Simple but ingenious. Sounds like a summer rain which pours out of the speakers. Definitely a good investment, or head listening enjoy. Whether there also someone raps on it I do not know, you can only pay attention to the beat.
12.Kreise 5/5: Again such a bomb. Ingenious, minimalist beat. When the beat sounds like just the raindrops would interrupt the silence of an icy metropolis with its impact in dirty puddles you know how an atmospheric beat has to sound. I hate most of Gris, really find him on that track but strong and just as good as Amewu. Wakka is absolutely outrageous, the first lines with whom he comes in what a FLOW!
13.Abschied 5/5: Here comes the next blast. Moody, perfectly matching beat and good threads implementation. Particularly outstanding here is the feature Part of phase. Rarely a flow belongs in the Ryhtmik, emphasis and tone of voice so perfectly fit to the content of what is said.
14.If 3/5: Typical Amewu text. Beat is okay but pale in comparison to the remaining crackers on the album.
15.Schwarze suns 2/5: An example of the above, in my opinion, nonsensical esoteric metaphors gedroppe. Dark, solid beat but nothing special. CR7Z is not really on the clock, has Sometimes what so an anti-flow, but here he is not strong enough. Absztrakkt the king of brainless rap, which would like to profound. I was really annoyed that a rapper like Amewu who really makes philosophically or psychologically demanding lyrics, which are worth thinking with this Image Buddhists, whose music has the draft of French Red White makes a song.
16.Ontogenie 3/5: Oldschooliger Beat with shaky, extra non-harmonic bass drum. For me personally, not very nice to hear from the sound here, but not really bad.
