Biased Mood

I discovered this singer with the much touted drive. It does not match "my definition of jazz" but it is undeniable that the "mood" of all of this disc is "small jazz group at two in the morning" and the operation (in the best sense) shown here This "jazz mood" is particularly effective.

Essentially, this short Lp contains two "tours de force" with 'The Flow' on "Side A" and "I'm Gonna Leave You" on the "Side B".

To begin, 'I Feel You', the minimum orchestration gives musically the feeling of quality but a little boat introduction to a piece that remains unanswered.

In fact, the suite is the next selection, 'The Flow' long drift "bluesy", a form of 'Take Five' in slow motion, without drum solo from Joe Morello and generally without the legendary Dave Brubeck Quartet with Paul Desmond on saxophone. I do not write it to crush Melanie and colleagues, I say that to say that we are more between Nicolette (that of 'No Government') and Melody Gardot (before conversion to Samba) and in the field of "my definition jazz ". Again, this does not detract from Ms. De Biasio, because I love Nicolette and Melody Gardot (before his conversion to the Bossa Nova).

'No Deal' continues in the same mode without copper and solo instrumental 'With Love' is maintained in this process, so a more experimental hair. Did I mention the unique album of Mark Hollis? (See 'Mark Hollis').

For the "B side" (not the "Disc 2" Friends of Amazon.com loaded product descriptions), 'Sweet Darling Pain' is a continuation of the "Side A", with even This "slo-mo breakbeat" and the piano scattered notes of a Bill Evans in Tranxène accompanying the voice of Melanie.

'I'm Gonna Leave You' is even more "blues" (what else, with such a title?) And would appear very correctly on a mixtape not far from the 1960 What? ' Gregory Porter.

'With All My Love' closes all truly spectrally.

I love this record, I rangerai beside the ones I mentioned above (and the 'Pirates' Rickie Lee Jones). But please, hay hyperbole: just get in the mood!