Thus the Water Music, the music for the Royal Fireworks, two concertos for two horns, the concerti grossi opus 3 and those of opus 6.
Pinnock in Handel rings with precise and rather astonishing honesty, giving whatever british fashionable without being stuffy, which is quite logical since the composer is regarded across the Channel as a kind of national icon with Purcell.
Moreover, far from the baroque excesses of certain formations, playing on period instruments to the desks supplied, with large numbers without being winded, it seems to me that here is a great corpus in the approach to the orchestral work "caro sassone".