01. MY HEART
The final song and the first single is a real catchy tune, whether verse, bridge or Refrain- although the melody already heard somewhere hatWer Wars Roland Kaiser, Andrea Berg, or Both? My heart can anything compare with the songs of Andrea Berg, the screed has produced, to a bit faster and by the voice of Beatrice and the great Soundeffekten- whether the 90 retro sounds playful bassline in the verse and a lot of little things in the background one of the best songs ever winner. The only thing that strikes me already here and disturbs: An individual tones of Beatrice you seem to have- rumgearbeitet that was absolutely necessary? The Ballermanngeklatsche the final chorus would not have to be. Nevertheless addictive! 5/5
02. AND HERE FOREVER
The second song on the album is the knitting pattern of the composition and arrangement of quite similar kept with a few differences. I especially like the verses with the rhythmic ticking clock as Percussion (3/4 clock early) and the surfaces. The bright piano sounds and the chorus provide an extra dose of pop, so it already borderline actual still clearly audible. 3.5 / 5
03. FALL IN LOVE, lost, laughed and cried
Well, and the third song retains the typical knitting patterns, sounds even more by now and here forever. Here stands the electric guitar out in the background. Where could score with the verses of the previous song, here it is the chorus that point and fall in love, lost, laughed and cried a little better as can be, since the core of the song can more carried away. 4/5
04.ICH give you my word of honor
Although the track 4 Beatrice recipe retains the pop-masher starts a track quieter than the previous songs and sounds of the melody a little different. Especially beautiful piano tracks in the intro and in the verses are managed. The chorus is indeed again been very mountain-idle, but not so close to the limit as Track 2, there were the verses but beautiful, so and also because of the uninspired fading out of the tracks the same score. 3.5 / 5
05's all MATTER
The somewhat slower pace, and the melancholy beginning suggests something else, but after half verse we are back to normal. The chorus sounds really very similar to falling in love, lost, laughed and cried. Although the final product is very audible, there is no extra points for lack of imagination and inappropriate Ballermanngeklatsche in the final chorus. 3.5 / 5
06. YES, if you think
The piano intro sounds really great and yet almost Frankfurt and Jack White after Jean, also the percussion effects are great, a bit more power would have the song still done well. Shall I tell you what, if the song sounds different in size? Nope. Melodic pop-again very extreme but in positive form: However, the catchy chorus smells a little more to hit than the last songs and the verses are also advised very nice. Just ideenlos faded out. 4/5
07. FLIEG not so close TO LIGHT
Oooh, it's also chubby. A short accordion intro slides in nicely sad verses about this some other up-tempo songs, if you make compromises. The chorus is not to be compared with the great verses of the originality, but that continually accompanying accordion and acoustic guitar give the song a certain something. The highlight next to my heart. 4.5 / 5
08. Inseparable
Why varies Bohlen and its makers in the background until the end of the album? The song is a little sentimental and slower fall than the previous, but no ballad. But neither offers remarkable sound effects still an outstanding melody, a total far too shallow and cheesy. 2/5
09. WITH YOU
This Uptemposong also held a little softer than the rest and has come to the very shallow chorus to tolerable and far too sweet pop-tooting. And after less than three and a half minutes faded out unimaginative. Slightly better than inseparable, but below the average. 2.5 / 5
10. THIS NIGHT HAS 1000 hours
Although this song is also kept sweet and sticky again, but it's the first ballad of the album. Wow! What a change of pace. And against the oldschool feeling there is in this way not much objection. It depends on how. Beautiful choirs in the background and 60s Feeling sounds worth the nice schmaltzy waltzes on additionally, one of my faves from Beatrice.
Gladly often so what! 4.5 / 5
11. To hell with you
For the umpteenth rehash of my heart I'm tempted to think the same, but for me Beatrice's too likable. The song tries to add power than usual and `ne electric guitar modern and fast rüberzukommen, but the melody and the lyrics I can not interesting to you. 3/5
12 THOUSAND TIMES
Yes, so I find that even before But seriously, the verses are again a little on plump and the pace was slightly curbed, and the verses sound really interesting, aberuuuhda comes again the angry chorus around the corner, almost everything wrecking , Themselves to blame. Here, the start did not sound so bad. 3/5
CONCLUSION: Well, there you have a beautiful voice, and what do you do out of it?
A monotonous album where every song follows the same pattern and the same rhythm (except a ballad, respect!) Is produced. Because while some songs are useful but herausgekommen- seriously Appropriate pop sound bottom line otherness hear Helene Fischer. The album was actually produced in a single night? Thus Bohlen would have experience (Remember Engelbert).
Bohlen has proven that he can otherwise, as both albums by Andrea Berg were varied and clever as this plate, the HAT undoubtedly highlights but a complete run is only for die-hards. There is also the disturbing feeling that you can edit HAT Beatrice's voice in almost every song does not always meet with our winner the sounds? Hardly I think. However, you can hear the vocal effects without ifs and buts out, and that sounds anything but beautiful. I hope the next album has more variety, zeitgeist and surprises and no unnecessary grandstanding. Beatrice has namely deserve better.
Highlights:
My Heart
This night has 1000 hours
Do not fly so close to light
Falling in love, lost, laughed and cried
Yes, when you think