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After acute Fake Can Be Just As Good (Symphony of Trebles aptly named), the experimental In An Expression Of The Inexpressible (the difficult title track) and the fullness of Ballad Of The Damaged Lemons, here finally the sixth Blonde Redhead album. This time, the trio is venturing into more territories than fleeced wattés. Fans who liked the previous album the hardest pieces to the Melody of a Certain Tree will be for their expenses: in the single Elephant Woman image extreme gentleness emanates from this album. Even pieces that previously would have benefited from a more electric treatment as Equus or catchy Falling Man (the rest far more powerful in concert) are seen here with lightness. Blonde Redhead, appeased, therefore continues to be cleared in this new direction, which is not bad considering the pleasure and surprise we experience the discovery of each new album. However, the Group registered its work in continuity: the alternating vocals of Amedeo and Kazu is still relevant and still works as well, and the little riffs characteristic sonority are still visible. Hopefully the passage 4AD deploy positive effects, and now the music of Blonde Redhead reach a larger audience. They deserve it, especially as the curious and sensitive people never regret having brought this group in their lives. A great moment of rock anyway, imaginative and touching.