Cuddly and intoxicating ...

~
... Or simply gorgeous. Anyway any experienced for themselves these wonderful songs and melodies that quite simply orchestrated the full fragility can speak Laura Marling's voice for themselves or driving with incredible sweeping rhythms so that at some point always starts at least one part of the body go along until it is simply no longer can sit quietly. Some of the songs also offer both catch only deliberate on and increase in rare exciting way to partly entirely new songs. Delightfully, this potential that flows in quality rather than quantity. And so it is then not surprising that the last 12 titles at the end, has after a while birdsong, to offer a little surprise, namely the title track in all modesty.
Considered each sound element itself and in particular Marling's voice could be borrowed from the folk, but the result is clear creative songwriter-pop music with acoustic instruments. Accompanying strings sound classic and not fiddelig, a trumpet and clear space opening. A lot of fun preparing it, the partially to hear many sounds and percussion elements and to imagine what is behind game art and also -freude.

The recording sounds very good, clear, natural and transparent. Slightly warmer and more dynamic it should perhaps be, but that's a cosmetic consideration and does not change the fun that makes the disc. Not later than the fifth song of the urge to move anyway allowed no hesitation in a devout sounded ideal seating position ...

Comparisons with other songwriters, which is precisely cavort currently many in the UK, would be useless. Laura Marling is a class of its own, and for each drive enclosure enrichment.
Will be exciting to be seen how evolved the sympathetic Bubiköpfchen. Because of me, they should simply go on like this.

(It's worth the way also to keep the net for the delicious live acts out. You with the "One Man Popgroup" Marcus Mumfort watch making music, is a rare treat.)