Gonzales, the Canadian Berlin from Paris, the great ekklektiker of pop, the elegant complicity with the most interesting Poised (Peaches, Feist, Louie Austen), the Sideline classical pianist, so now assumed, logically, the disco revival. and of course no one can do it better than he. between Bee Gees and Barry Manilow, Gerry Rafferty and Hall & Oates, between disco, soul, easy listening and pure, radiant lard he takes away his safe dance step. "Working Together" is a supple tanzbodenhit, for "Hercules and Love Affair" beg, steal and would lie. "Slow down" again is a warm clinging trash-soul ballad that can not possibly be serious. or "Let's Ride": smacking Ender Seventies-disco as an outtake from "Saturday Night Fever". and therefore it is not too easy to build a gonzales between proliferating Piano Etudes. Conclusion: an album as beautiful as the real seventies were in truth never. I assume once as a working hypothesis, he thinks all this ironically, and therefore find all the handclap beats, all the strings-fat spread, the saxophone geschmachte and greasy synthesizer beautiful, true, good and above all funny. the question of whether you want to be heard in eg one year or more can, we can, because at the moment irrelevant now just not on. dancing baby!
