Vilde Frang joins with this recording worthy of the ranks very great artist, a - but also hear differently: Very fresh aufspielend so vivid, bright, elegant, from the finest translucent, lightly brilliant, and just very personable without self-staging penetrates it is one in the depth of the compositions a, only the music and the interaction for them, which is truly sovereign - and you just remember this particularly elegant game immediately ...
Who Vilde Frang experienced live on the concert stage (as I among others in HH, the SH-Festival, with Sol Gabetta in Olsberg / CH, Solsberg Festival), it also looks at the hearing enjoy this CD in the mind's eye: This wonderful young woman playing the violin like from another planet (sorry for these verbal acrobatics), completely unexcited course (neudeutsch: cool), simple 'galactic' good!
Solo cadenzas (no. 1) by Jonathan Cohen; he conducts the ensemble 'Arcangelo' beaming in Mozart style, and the Ukrainian violist Maxim Rysanov accompanied Frang with the Guadagnini viola (1780) in the 'Sinfonia Concertante' congenial; deeply moving, as both act perfectly.
Short info:
Born in Norway, Vilde Frang studied first at the Barratt-Due Music Institute in Oslo, and later with Kolja Blacher in Hamburg and Ana Chumachenko in Munich. In 1998, she accepted an invitation first of Mariss Jansons at a concert with the Oslo Philharmonic Orchestra. Since then, she travels the world and is at the ground-breaking international orchestras and organizers to host.
Since its furious debut album a few years ago Vilde Frang impressed again and again: Tchaikovsky, Nielsen, Grieg, Prokofiev, Strauss and Bartók are examples of their award-winning discography.
As a chamber musician Vilde Frang plays with partners like Sol Gabetta, Gidon Kremer, Yuri Bashmet, Martha Argerich, Julian Rachlin, Leif Ove Andsnes, Maxim Vengerov. At festivals like SHMF Schleswig-Holstein, Mecklenburg-Vorpommern, Rheingau, Lockenhaus, Gstaad, Verbier or Luzern, it occurs regularly.
The two-time ECHO winner Vilde Frang plays the 'Engleman' Stradivarius (1709), on loan from the Nippon Music Foundation.
