General raps Doom unconventional by little strives for strict rhyme schemes or the like and like to miss a few more words in the line squeezes as essential may appear aesthetically, what he creates with it, however, is impressive. His rap style white with prolonged listening simply to fascinate, he is far from the monotony of other artists, the beauty sometimes just seems to lie in the occasional monotony of his speech. Lyrically, he does not move so far in his fantasy world as one might think, perhaps, but tracks like Go with the Flow or Rhymes likes Dimes are typical but interesting pieces put forward about how and skills of the MCs with small Battle airs. In addition, his lyrics are all peppered with puns and give amusing comparisons that much less wacky sound than many other rap phrase and the album simply a high entertainment value.
When two absolute pearl Doomsday and Rhymes likes Dimes should be mentioned. Doomsday forms with its dreamy, tasteful piano in the background, the ideal foundation for the unique Rapflow Dooms support, but not to drown him or tear from the Mittelpunnkt. Especially positive are also the Scratches mention that harmonize beautifully with the rest and keeping the sound firmly in Hip Hop. Rhymes likes Dimes then goes with a playful wind-sample fast forward, from burning a pun and a punchline after another, forming in the ear canal completely investigated exemplary catchy feeling.
Here and there, there are guest contributions from colleagues of Monsta Iceland Czars crew that Doom often invites on his albums. They do a solid, worry for the intended change, but also form no reason for an overly positive mention. Called the Posse track Who you think I was on? in this context: classical, oppressive beat and flow of storm rapper. In the experiment direction then goes tick, tick ... that such a roller coaster ride will permanently change of pace. This strange sound is wonderfully complemented by morbid rape of MF Grimm, who appears with the gently sloping strings to grind out a race. Daring, but after repeated listening again a unique piece.
Whether it is in the following Red and gold or Dead Bent, repeatedly conjures Doom fascinating for me so far (as) never belonged to samples from the quiver, combined with bone-dry, kept in the background rolling kicks. Incredibly the whole organic klingte in effect, since one often gets classical instruments (untreated) served, which are incorporated into the wonderful Beat whole. Take for example the wind in Hey !, coupled with this high "frequency tone", the head goes all by itself forward, the still rape come to this intensive Beat here almost seems too much of a good! Incredibly tight braiding this sound is also the fact that sounds from the comic book either be completely recorded and looped or conversations of the characters before, between and after Rap Tracks occur and form a smooth transition between rap track and a kind of radio play.
Overall, you have to have experienced after passing through the album feel here an absolute mastermind of its genre. But a multi-faceted and playful always clearly structured production, coupled with partly indigenous and partly wacky texts between villain identity and rather classic rapper image. For all Doom aficionados should be said that in my opinion Operation Doomsday Dooms best work is a must so. Madvillainy must stand in line behind, if only because Doom aggressive, biting, dedicated raps here, as on all the following (after 1999).
