Elevator to the Gallows after ... music for the elevator!

Miles fan, I find that unfortunately his records in the 80 (except Man With The Horn, fortunately still produced by Teo Macero and some "Live") sound more like music for the elevator!
The proof Tutu, where synth tablecloths, drum-machines, programming and everything 'state of the art' in the studios of the time merely stifle the master trumpet on mediocre themes.
Paradoxically one group to 'babes' like Duran Duran had much better understood how to use the sounds 'bling' of 8O's according to their compositions, or to stay in jazz, Herbie Hancock knew integrate to boost his music, and not to knock him out. But here it is makeup, it does not give the impression of being an integral part in the intrinsic songwriting, it looks like Miles doing karaoke on pre-recorded tapes (which probably describes the sequences of sessions).
Miles had always nourished the inspiration given by the great musicians he knew to surround himself is the reason for its successful development in previous decades, whereas here in circles all this technology alone one feels , chatting some themes in a vacuum.