Explore impasses to better find the right path.

IZIA in the midst "David Bowie 80s", an artistic impasse, lying to oneself.
Izia, instinctive nature wants to play the thoughtful artist with profound words & vaguely trying to sound like AIR.
The Les Paul plugged Marshall has given way to a Moog with lots of buttons to please hipsters.

The texts, without falling into too poor rhyme, do not even reach half the level of a Serge Gainsbourg or Etienne Daho.
We will say that IZIA affect copyright, that's something ....
Coming in at her: Will the triggée battery or drum on the pieces? A real drum sound would have been more relevant.
As for the stacking of analog & digital synths, mixing their lead at times to a messy output ("Troubles" as bad Erasure, "Reptiles" frequencies so that saturate the industrial music ...).
Another point, the voice sometimes lacks sobriety on the cool pieces.
A song while retaining manner Etienne Daho or Charlotte Gainsbourg would have been better.
Important detail, the wholesome complementarity of big guitars with the voice of Izia has radically moved disappeared making certain passages sung while force to quiet music.

The upside: A certain coolness emanates not unpleasant some songs (You, Wave ...).

Finally, a French song album we listened more without it comes out anything special.
Anyway I think I'll listen to me Moon Safari Air, I've always preferred the original followers.