Also, increasingly relayed by the media probably more obsessed with their advertising revenue by the formal beauty of what they stand for, I am appalled to find most often at summit sales rankings "jazz" a kind of Voice bouillabaisse that uses aesthetic codes of jazz rooted in the collective unconscious (here, a cozy shady atmosphere, good feelings and good feelings always) to adorn a character he is absolutely lacking. In short, the "Young Bones" (disc released by Sony in 2007 ...) is to jazz what Mickey is the cinema. A disc that can be listened to his youngsters from the age of four years, especially if they are to have softened the brain ... Not that Malia has an uninteresting voice. It is also not unknown: Laurent de Wilde has been a time in his combo.
But here, the environment (blowing, orchestration, violins, piano Manoukian, Katché percussion) is bloated as this is not permitted (just listen to "City Promises" to be convinced ...). Excessive makeup that hides an obvious lack of flavor (it's a bit like that you tack honey in your bouillabaisse, get the picture?). This product marketing therefore fill a teenage audience, or bobo looking for absolute tranquility, undemanding in terms of shots that can come out of a wafer (gospel in "Richer Than Bill Gates", swing in "Mr Candy," or still this unbearable claydermanisme in "The Stern, The Thorn, The Rose," to the point that it sounds like the soundtrack of Titanic), the worst being can be achieved with "Is not Got No" (which will return the fans next to the castle of the Star Ac) ... Conclusion: between soup, soup or bouillabaisse, forget everything. Look instead to a good rump steak rare, Dinah Washington style, Carmen McRae or Betty Carter. Sorry to be so conclusive ...
