There is some of that in the sense that the adventures of young Wesley, from the state of absolute loser and cuckold than super villain rapist, and revenge foul on an alternative crazy society.
Imagine a super secret war where all the villains would have eliminated superheroes the world! That leaves them more Quà choose between assume their identity secret (falling asleep society much like the Matrix movies) and entertainment in parallel worlds or enjoy their usufruct in broad daylight!
Wesley completely ignores this, he does not even know that he is the son of the greatest killers. On the death of the latter, so it dassumer genetic heritage and become number one by the rejection of all that he had learned until now and along dune learning life without faith or law much more exciting!
We must admit that from the outset and that lon've seen the movie or not (which borrows very different scriptwriting alternative replacing superheroes by killers), we sen treat for the eyes because the story is very attractive, drawings and successful colors and different scenes senchaînent without dead time!
This rereading trash (although attenuated in the feature film that matter) is something enjoyable and fun déminemment in the immediate pleasure which brings. The Drafting scenes alternate with scenes dexposition and everything follows with ease. The narrative distills moult small allusions to other heroes (Superman's cape, the actors of the Batman television series) quite easily recognizable and the various protagonists created for the occasion are simply reflections of characters from Marvel or DC Comics universe (with a pretty amazing gallery of Batman nemesis).
Wesley sapparenterait rather Bullseye (the Shooter "Daredevil") and Mr Grin Joker except that Quici writer roundly especially on the same design intelligently comics (the famous series of "What if" reviewed so acid and rude!).
The final chapter and its conclusion sadressant direct to us my more amused than shocked and this is with a smile that lon louvrage closes.
Note a very nice edition from Delcourt and an interesting postscript to Mark Millar explaining the origin of this unique work of its kind. By cons for having editing original hands, I must point out a little flat on the choices reduced to have a double page with Wesley about to draw his gun on one page for editing French, not very serious repackage paging. At the exception of this and as long as you are comic book fans who do not take seriously addictive way, go for everything is good in the pig!
