From punks and Klaus Kinski

Who has come with electric guitars for music with techno has indeed like one or the other problem. Too monotonous, too sterile to hirnzerfräsend. At this point, abandon the search for techno and Elektonika would be premature. Why? There is still alter ego. And behind it a lot more.
With their latest album is here and there to the assumption, a horde of punks would have gained access to the night club, everything to effects devices and synthesizers tried it out and had fled again. The next morning Mr Roman Flügel and Jörn Elling Wuttke-would then be staggered sleepily into the studio and after the initial shock had set about again able to revise all the noise and Transphormer was born. Rock was transformed to Techno.
It seems possible any Knarzer to be able to absorb and hold each rumble after leaving the Speaker (listen to this, Nasty Dollars' - An intro like a bed of nails). Not even close. Right from the brutality of the first, Rocker' sounds you will be thrown on the wall. There hanging you endure to also Transphormer which thus is the title and the last song fades, then falls to the ground exhausted to sprint directly to the music source and again press Play'zu respectively hang up the tone arm.
Punk as the alter ego of techno? Of course Transphormer is a final techno record. But perhaps one could say that Transphormer of Klaus Kinski is among the techno records. Woe if he / she is released.
Perhaps it is premature to talk than four months after the publication of the hellion 'of this Opus not know the time factor. But herewith it has now happened. Transphormer is secured to the time axis, or even forms a new, so that an aging is preliminarily excluded. Yet for years the album can not be observed the development of techno while twisting the neck.