Good thrill in the film, little sense on CD

Silvestris music for ultra cool thriller is one of the examples of highly effective music in the film, but the outside of the medium not much bear. Rarely something happens, dark muttering strings to himself (small Psycho-tribute, the score comes entirely without blower from) and now and then there's hard loud shock moments. Rip Kruz does it end times and the End Titles have a cool groove ... one can accuse Silvestri sure nothing in the film score works well (also because of its sparse use) and that's what counts. On CD only Silvestri completists will probably get their money ...