Hans Zimmer, a genius who moves with the times

First must be said: The film is bombastic. More exciting, more dynamic and better made than its predecessor (Da Vinci Code) all.
And the music? Many (especially critics) had previously so their fears: Is Hans Zimmer truly one of the exceptional film composers who create it, the film by varied music to miss its own character; one of the composers who are willing to sound experiments especially in the electro-technical age, without leave classic; one of the composers whose music can be heard even without a film whose music is very catchy and stays there? The answer: Yes, Hans Zimmer is a composer. The proof: this CD.

With this soundtrack, he has once again hit the jackpot. Perfectly logical and fitting to the film he processed the themes of "The Da Vinci Code," the official cinematic predecessor, in classical choral and orchestral music (= Church, a sense of tradition, mysticism in the film) and sometimes wacky synthesizer sounds (= science) that are used this time greatly strengthened. A logical continuation of the music of "The Dark Knight"? Now, they will have had influence determined, but they had fallen too monotonous and somewhat uninspired in the Batman film what one, in contrast, in this music here can not be said at all. Will sweeten the whole thing with the beautiful violin play of Joshua Bell, who missed especially the "Chevaliers de Sangreal" a new note. And that action scenes are a "welcome seizure" for Hans Zimmer, has long been known. So he must be particularly "let off steam" in this movie.
In short, with this 5-star soundtrack Hans Zimmer has once again proven its quality. Laying purchase obligation for all room fans and all who value convincing, good (Action) film music.