super band (again with Dewey Redman on tenor saxophone, Paul Motian on drums and Charlie Haden on bass), recorded / published in 1974 and sound very good. Sam Brown on guitar does its job well, but already the two titles in and of themselves are too shallow and uninspired (Treasure Iceland, Sister Fortune). Good to very good, I personally find here only the first track "The rich (and the poor)," very awesome interaction, superfluid arrangements, "Angels" (nice crazy free jazz) and "Le Mistral" (Title 6), Again, a slight decrease can be heard in irrelevance again. Too bad, I was the plate by many people recommended I I've already taken alone because Dewey Redman, from the point of view I'm not disappointed, but I'm more plates with Peacock and Johnette or to Jarrett hang on the solo stuff stay. Maybe my expectations are too high, I like a lot of connection works on Bitches Brew, which were published by the individual musicians immortalized there. Strangely, does not work at the Keith Jarrett or I interpret it incorrectly.