Presented here and there as a possible response to the unfathomable Thimar, published in 1998, this record is all the more disappointing .. The compositions are quite destitute (it was a bit like attending a jam Session musicians with little in common). The musicians seem little concerned - except Brahem itself, but sporadically, sometimes its magical interventions being constantly polluted by a bass clarinet giggling and electric bass with well tacky fusion sounds. All recorded in a studio which I never knew existed (Udine, Italy) combining the ECM cliches (this echo-cho-cho-cho ...) without the usual qualities (space) .. We the impression that this session was recorded in a barrel .. In short, there are many good record Brahem (basically, everyone else) before spending his own money for it.
