It is first, of course, the style of absolute harmony with the music of Chopin; an ever mastered rubato, a hit of extraordinary refinement, no assignment, nothing superfluous, tempi that always seem "obvious"; but what makes this version is by far the most accomplished, it is finally a "real" direction that does not despise the sophisticated orchestration of Chopin, a follow proper shades and a listening between the orchestra and the interpreter rarely found in this directory.