Joe Bonamassa, it may not be ...

... Regular (short) intervals of inclined music lover is blessed with products from his house.
Solo albums, Project albums, Live canned in picture and sound Smokin Joe worked with a considerable time presence an equally considerable reputation.
He has long since left the smoky (blues) clubs in the world behind and tinkering insistent on a superstar attitude, which manifests itself not only in the stage presentation, but also reflected in the musical realization of his concern here it is now too broad, next to keyboard instruments heats also keen fan of funky tunes (the Rock Candy Funk Party says hello), about swinging shuffles (where is Beth Hart?) bleiernde LedZep severity, leichtverdaulichem radio feed (title song), Bad Company Classic Rock Peter Green's Fleetwood Mac reminiscences up to the polished Clapton quota Blues is now ascended on his eleventh solo album, the very large cutlery. It is worth mentioning that he manages for the first time without any foreign composition (apart from the short intro).
And he makes a solid case to really good figure. There will never be a shouter from him but he has definitely evolved in vocal presentation. The same applies to his lyre, which always let sit up, but now may terrific accentuated get to the point, presented with fantastic safety, perfection and yes even cleanliness. Here to want to derive a technical, emotional and soulless presentation, as is often done in the polarizing Mr. Bonamassa, shoots pretty far past the target.
It's probably more of the alleged betrayal of the ideal of sweaty Malochers the lack of real edges and corners, which sometimes placed acting attitude that belch many guardians of good musical taste foul. Okay, well this album, at least the suspicion of a completely calculated product not soften - but instead bring many songs under the impression that they could explode right under vocal grenades as Beth Hart and Paul Rodgers, which certainly speaks for a certain class of the starting material, which in turn even so already partially undergoes grandiose interpretations known set pieces in a brilliant, opulent implementation and dusted with playful ease the sometimes extremely heavy retro genre.