A few euphoria brakes one may nevertheless put: the comparison with pal Kanye West, so you want to draw him, he is in spite of all Ballyhoos probably not lose so spectacular, not so overexcited and freaky, few to no trigger points, Jay-Z returns over long Conventional routes from instead Breakneck. He would also be able streamline something almost sixty minutes are much, perhaps too much, even for the high standard. And perhaps it would be advised that he is looking to the future even a few new colleagues the sound of Pharrell, Timbaland and -lakes is a now already so familiar that you can not suppress sometimes a little yawn. The same experience you do, moreover, with Timberlake's own, recently as a result hochgejazzten work and also because it is very likely, a little more creative input, a little change would not have hurt.
That should then be the nagging but been: After buttery Einsingen the title track and the cute Nirvana Quote MCHG running on full speed with the latest nervously vibrating Tom Ford. To have in the water music (hi) storytelling at Oceans (Because this water drown my family, this water mixed my blood, this water tells my story, this water knows it all) Frank Ocean brought to the site is currently not a mistake ; Whatever the reason you let the boy work his RnB has unquestionably the Midas touch. Much sheet further in the text is probably the next big thing (even Kanye had already powerful in the Ljubljana-case gripped), the heavy, synthetic beat of FUTW the Bläsersätze fit wonderfully and give the piece an additional, well: contemplative note. In Somewhere In America in turn revive the song and bring a corresponding drive, along with the piano in the background swings here a corresponding amount Prohibition patina.
That the wife in Part II (On The Run) strangely sleepy comes along and ignite the piece therefore not really want paid. But there along with Timberlake then but a very successful Heaven including chopped synths and fabulous gecroontem Chorus, make the Swizz Beatz from a fleet BBC Jazz Rap Aufkoche and is also the backdrop for Morricone-Blue more than okay. A little pats on the end even for Gonjasufi in Nickles and Dimes, the broody trippy drums help the whole, though not large, to a neat conclusion. Conclusion: Definitely no revelation, no magnum opus, many of the pieces rather reliably and perhaps a little disappointing given the full-bodied Vorgeplänkels. Jay-Z has the Grail as far as you can hear, so contrary to all expectations (or fears) is not lifted, the quest for it is but, just as, remained in the legends of the early days with him a fun. mapambulo: blog
