- For the first hardly a song as a real "Earcatcher" remains even after repeated Through listening hang all very arbitrary, complacent, we think the majority of hooks umpteen times already in the last 20 years to have heard elsewhere, everything is not really bad, nice to pleasing Besides listening, but is innovative else .... Of course, the question is permissible: has the G. Lynch still needed ....? Nevertheless, is our biggest asset! The songwriting part currently definitely not his main qualities .... As the variety of more or less illustrious dedicated Vocalists little use.
- Secondly, in the past for the exceptional guitarist Lynch his trademark virtuoso guitar solos or his technique the countless would-be young guitarist has inspired. On the current board, the majority of his solos sparkle like a casually lighted from both ends sparkler from: shimmering, short beguiling leaving behind with his artistry, but with no real lasting impression (eg, Tr 9 "Sun".). The former "wow" factor of his solos is largely missing, everything shaken rather uninspired and almost carelessly from the (virtuosic) sleeves. For comparison, listen to time only (in my opinion his best solo album) "Sacred Groove" from the early 90s, which there-find 3 instrumental tracks are absolutely outrageous what artistry, Kompositorik, has voice-leading and structural construction to offer, Listen to there times Tr. 5 (I want remmember) to, goosebumps!
Anspieltips on the current board would eventually track. No.4 (Brand New Day), no. 5 (Wicked Witch), no. 12 (Son of Scary, instrumental, almost a little something "progressive").
Conclusion: This album does not have to really have for diehard G. Lynch fan (as I am - was ??) still a must, but there are God knows better albums of him. Whether because again an increase from him comes ??????
