That Kunze has hardly unique in Germany, has often been written and it is and it will remain valid. For me, he is an excellent wordsmith primarily. As someone who the language, which the German is very important, I am of meaning and deeper meaning and ambiguity Kunze'scher eloquence fascinated again and again. Of course, Kunze is also a musician. A good, a more present stage all. But I venture to say that he did not die without music, would satisfy him Language as food completely (in addition to the heavy courage, you understand ...). "Consume" His plates not. Even after the 100. Listen to found a new nuance, a new association that makes smile or think. - With the new plate, the original Osnabrück could not repeat the numerous present on CD strokes of genius. This is a shame, especially as the expectations in connection with the lyric (sorry: Lürig-) return was big. A broken leg is not. Kunze appears in search, is to speculate, without having the new road already found. But wait: A few original highlights flashing yes to that! First - of course - "K.", an extremely brilliant, associative, somber song about Franz Kafka (or should the "K." a bit for the master himself ...) who descends deep into the Vita of Prager (Max ! Milena! The saying with an ax!). An extra thank you for this song. Then the two very different settings of "Always there for you." An exciting idea, to face these versions (and use it as a framework for the panel on). Only ... then stay still eleven songs, which can not be lumped together, but have in common that they do not really tear me from the stool. "Get close" would be a great song, you would not already "I need you now" and "Lisa" and - after all - "You are my heart" to know from him. But do not worry, your HRK fans: In the next album, the hullabaloo is over determined and it goes forward again properly. As yet what comes, as well as we know our Heinz yet right? With best regards from the deep Bavarian HRK Diaspora. I'm looking forward very much to the tour!
