After Steel, Silvia Avallone chose to write a story under sixty pages, originally appeared in the Corriere della sera. It is likely that one will reproach Silvia Avallone use of stereotypical characters: the bad boy who plays the housewife withered before age, clueless kid who hides its secrets. And how the first is struck by it. Avallone plays on the ambiguity between this small hits too manly to be honest and this man a child and no landmarks. It is a story about male fragility that shows the talent of the Italian novelist in the short format. What is beautiful is that we still feel the clumsiness, a defect of maturity, especially in the psychological aspect of his characters. But she already knows how to create atmospheres and lead his stories through delivering some key in the outcome.
