Hide should one call it what unworthy is set before us here? This fits in at all no drawer and yet everything is almost there - pop, classical, electronic, rock, drones, and many, many musical ideas that deliver a musical conglomerate without designation. In some places, you realize it, wes father's daughter she is (the name "von Hausswolff" is not entirely unknown in Sweden!) Well, the 26-year-old Anna von Hausswolff calls it "Funeral Pop", where one must already do very well define the word "Pop" ... These church organ, which she got from the Annedalkyrkan is omnipresent on almost any Song of this album and Anna's game it reveals not only the versatility of this unusual instrument, but also the force and the depth that can be achieved with it. Me anyway such titles as "Deathbed", "Epitaph of Theodor" or "Goodbye" hew simply only! And the voice of Anna is really unique! The different tones and shades have an epic, soothing, but also powerful character. And it is also sometimes called a playful, almost childlike character. Herein lies one of the charms of this album, which deals with the elusive subject of "death", but not fearful and awesome, but somehow also curious ... what happened there and then? Sadness - yes. Hopelessness - No! Incredible intensity listening experience and an "ear candy" for the curious! Not only the acoustic, but also the optical discovery of the year 2013!
