Music in another dimension ...

... Better I can not describe what the Brandt Brauer Frick Ensemble has fired at -Mr.Machine- to the memory area of ​​the CD. I'm not a techno fan, and listening to classical music I lack the knowledge and access. But when both coincide, at least in the way that makes the Berliner Ensemble Brandt Brauer Frick, then I sink to my knees and am really taken by this armada of tones and sounds, playing my ears in the assault on the pile. I have rarely heard pieces that would be a better grip with the designation "New Music", than what Daniel Brandt, Jan Brauer and Paul Frick bring an ensemble of musicians on stage and in the studio. If harp, percussion, drums, synthesizer, piano, cello, violin, trombone and tuba build a driving rhythm to break it in all its beauty and dismember until only a cacophony of baseless in space wandering tones can be heard, and then each instrument slowly and deliberately back in precisely this rhythm again plays himself, to an entire orchestra can exploded in just the sound, then you are listening to the Brandt Brauer Frick Ensemble; certainly! I was allowed in 2012 witness this magical ceremony two days ago at the Berlin Festival. I can not remember ever having heard so experimental, yet professionally well played jumble of sounds that ultimately but united in grandiose music. An absolute exception in the present here and now the music scene!

-Mr.Machine- Begins with a purist sound a'la power plant. Then follows Bop that also is techno and classical music and includes a piano part, the Keith Jarrett would make all the glory. On -Pretend- the ensemble of the singer Emika is supported in an ingenious way. Lascivious and broken comes -You make me real in sounds of circuits and power surges therefore, are now and then interrupted by American acting sounds. What accounts for the diversity of all instruments at Brandt Brauer Frick, can be heard at -Mi Corazon-. -On Powered Ground- has the makings of a radio hit. However, a moderator must already be trusted as anything when he puts this techno-classical masterpiece on the platter. The -Teufelsleiter- shows impressively how Brandt Brauer Frick work. A full orchestra puts on a leading clock up to the highest altitudes up and back down. At the end of the ingenious -606'N Rock'n Roll waits for the listener. This piece hit me live smoothly out of the shoes. But the studio version "hacks and is sampling" is. By more than seven minutes of music, which is so nowhere to hear elsewhere

You will have noticed: Knackstedt has omitted again. He has what you hear what he does not want to go out of my head. Yes; I admit it, just as it is. Who knows, maybe I'm alone with my thoughts. But I do not think. You will certainly receive in the near future no chance to hear this kind of music on the radio. Therefore my tip: Just listen to -Mr.Machine-. Then you decide whether these are electronic rather faulty operation, or perhaps a beginning of a kind of music, as we have not experienced since Kraftwerk. Try it out ...

Oh yes ... they should have the opportunity to watch the live ensemble: Missing the Do not! Believe me, you would surely miss something ...