In many Norah Jones certainly think about inconsequential dahingehauchte muzak. This is true but no longer at least since their most recent album "Little Broken Hearts". Here the daughter of Ravi Shankar has namely the Overproducers Danger Mouse teamed (the example also part of Gnarls Barkley or Broken Bells), and quite a change of style laid, off the "coffee house jazz" towards a fairly gentle, electronic indie pop , The sound of the record is in spite of many electronic elements, very harmonious and fits almost perfectly to Norah Jones's voice. Its content turns, as the title suggests, to broken relationships, so the tone of the album is also quite melancholic. Multifaceted the album (and lyrics) is still, sometimes ironically Jones sings cheerfully about their failed relationship, then deeply saddened or surrenders to revenge fantasies. All things that you would probably not expect from Norah Jones, which shows once again that you can also artists who had actually written down (if you had because) should always be a chanche. In "Little Broken Hearts" this is worth in any case, at least if one well-crafted indie like music in the style of "Broken Bells" and is not put off by a pinch of melancholy.