Of art or pudding

"I, murderer" is a bold one-shot that starts strong on returning from the third box in the thick of it, so to speak Spanish writer Antonio Altarriba provides an interesting and extremely disturbing reflection on the assassination as a subject artistic. "Dune absolute radicality Expression [assassin] created by giving the death Killing is the act transcendent excellence." the character of Professor Ramirez and lectures, arguing that many religions, Christianity in particular, are at the origin of a long tradition of art and horror. Under respectable out, Ramirez is actually a dangerous killer that strikes its victims without any reason beyond his circle of acquaintances. Still quon can hardly blame him for not knowing what it cause!

Neat invoice, the drawing of a thick line when wanting black dishes seem to constantly swallow the white, where the only real color is red, appearing at times to highlight blood, murder and impulses, helps create a threatening atmosphere . Graphically, the style of Keko is close to that of Marc-Antoine Mathieu without the absurd side. Many representations of famous paintings punctuate the narrative and painting indeed there is much talk, including a great moment with humor black with the passage of the "butcher to Pollock" period projections.

Doubly awarded the 2015 Polar BD Award and the Grand Prize of the Critic CALL 2015 "I, murderer" is a rather captivating and work of great erudition stimulate lintellect own. However history may divide. Dune sulfurous elegance for one or dun abject cynicism for others, it puts us it is true in the unsettling position of voyeur, with heinous murders committed by a particularly unsympathetic character. In the end, a dense work with political incursion of the Basque question may tend to release more narrative thread that it should. A lévidence, the specter of dictatorship still looks good soak Hispanic dauteurs number, while most pernicious regimes dEspagne and South of America were still in place in the second half of the twentieth century. What quon think, louvrage can be designed only by a audience.