Perversely still good

Absolutely nasty 80s German rock bigots production; digital Wummbatschigkeit galore, and Herwig Mitter Eggers E-Drum Rolls once over the whole Büffee make's actually even meaner than it is already. But the combination of the sterile swagger of sounds and Mitter Eggers cutting Martin-Semmelrogge voice, this latently evil in the texts makes Spliffs best plate for me to find something that works in a perverse way. A little nostalgia certainly plays a role because, at the time I found the COOOOL but for erinnerungsduselige and already no longer (if ever) interest for music Ü40 Party assembly I had never what about. Who knows why, but I like this album. Highlights are the opener "Congratulations" and the last number "glass palace", both Mitteregger showcases; still worth mentioning: The a minimalist, vaguely reminiscent of Prince Arrangement sung by all 4 band members "Mr. Kennedy" (about Redeemer projections, luminaries, personality cult and subservient mentality), "The Masons" ("Our women are so beautiful / The are bold in bed "), Reinhold salvation" eyes "and Manne Praekers" SOS ". But is not really bad number, even if "Where? Where?" in its effort to carry around any kind freaky sound effect with it, is pretentious and "time has come" an intrusive anthem with too little double bottom ... Even with the former hit single "The panel" I can for Mitter Eggers drum solo on completely artificial "Plop! "- and" Frrrapp "- sounds which begin again.