Drilling and the Club of Gore are so finally here again. And this time with an emphasis on the piano. Clöser who otherwise usually saxophone and vibraphone in viscous slowness elicits and celebrated tones, came up with the idea to sit down at a grand piano during a concert in Moscow. In order for the instrument was reinforced part of the repertoire of the Quartet and naming for the new album.
In their sound, the band insists on her stoic composure. The broom touches such leisurely pace in nearly zero over the drums, the rhythm almost disintegrates and dissolves. Wonderful harmonies and melodies are stretched in Loungejazzinsturmentarium to the unrecognizable. True to the motto: 'Slow, slower, boring!'.
The whole gets meanwhile on the use of saxophone, mellotron, vibraphone and Hammond missed a sublime spherical sound that celebrated in the monotony of the wide tracked soundscape and the sound for sound chords at the same time mystical, muggy and gloomy looks.
Fundamentally, therefore, has little changed in the clubhouse, the magical music of Mülheim remains true to its essence, and at home somewhere between the scores of Blade Runner and Twin Peaks. The great sense correction of Dolores, not to exceed deeper into the reduction, which reached its peak with Geisterfaust, is maintained. And similar to Dolores also includes a Piano Nights slightly more positive in the core sentiment as the great masterpiece of the band Black Earth. Something, but really only slightly and towards Dolores even a little less.
But the band is in their atmospheric density rather back toward Sunset Mission and Black Earth, which makes this album the best of our posting band for 12 years.
Piano Nights is ultimately just that music that we know of drilling: smoky doomy melancholy Jazz with all kinds of bonds to Dark Ambient.
