Polished essences

Long expected, a small ink and then it is there: the 'work' of the Swedish Shout Out Louds. That the band goes in and brings out the essence of expression, jumps a sheer face. The new simplicity and reduced Arrangements encounter the handset more than ever towards pop and wave goodbye to the temporary indie junk the older albums. The pound is burgeoned with here is: absolutely timeless earwigs. I forgive outstanding four star and mean: 'harmonics third album with a tendency to grand gestures!'

Opens with "1999", which begins with a verwundernden interplay between bass and piano and increases cascade. 'Give me a secret and I'll tell you' sings Adam then in "Fall Hard" and reported under meandering guitar licks on the road, while "Play The Game" with synthetic violin sounds contemplation issues identified until finally "Walls" is heard: a typical Louds number whose chorus - as in other songs - strong on Robert Smiths' song recalls.
"The Candle Burned Out" suffers for the time being at too high vocals, but already the folky "Throwing Stones" and "Four by Four" show Adams ability to tell stories miniature. For this he needed a few words and in "Paper Moon" ranging from almost only his questions so that an image in the mind of the listener arises: '? Have you ever tasted Youngblood'

Ultimately appear in reverberant bass of the designating "Show Me Something New" by the ever-present 80, which are repeatedly striped subtle. Go to Sweden but in this now trodden terrain further, the raw and unbridled their music is long absent. Because melancholy and sensitivities are certainly influential, but only 'a' part of its broad spectrum.