The book is written for people who are interested in connections between music and neurosciences. It is very simply written and that is equal to the sticking point. For people who have already dealt with the subject of incoming it often seems clumsy. Some facts are distorted almost beyond recognition by simplifying. And some doctrine could still fit into the 19th century. Who but never read something about this issue, likes to try on this book, although it is also better here: similar course, but clearly well-founded is "Spitzer: Music in your head".
