"Innerspace" presented once again a fairly orchestral become Jerry Goldsmith score - the synth overdubbing are this time relatively in the background. But the score remains part (approximately 25 minutes) stylistically very little on its own, depending on the image. It remains the perfect craftsmanship - and sitting Goldsmith perfect sleeve. So the emphasis here is mostly on dotted rhythms, which once again reveal the Bartok / Strawinsky-training, who determined his finest works ever since. That the style does not exclude, is also likely to be on film. He probably should be bridged only the pop songs with his music here ...
