When comparing the two CDs of Neuenfels
Sets ratio, so one can regard compositional,
Whatever the style notice differences. One should
But first assess each slice for themselves. Because dishonest
is it to the staff about the new album by Neuenfels
break by the previous disc one of the benchmark
New power and then is: the latter was crap.
Both discs have their own style: the first comes
more graceful, therefore, the second coming straight,
straighter, pronounced Fox moderately therefore (comparable to
N. Gemba, Nic). Both CDs are therefore not directly
bar vergleichbar.Und Regarding the Fox-moderate: there
Disks, the banal, downright unbearable earache
causing come across. Example: Michael Fischer;
Here a person free himself completely from any
Harmonies; monotonous sound concoction is the principle here.
Highlights on the CD are the titles 3, 5, 6, 14 and 16th
The duet with Wendler and the remixes are not
just the favorites.
And then a serious word to those who are with them
Sham artist names like JT Kirk (previously Udo Kaube?)
make a joke out of it and the bottomless contempt
certain music genres impersonate review, the
therefore actually belongs in the trash:
The scribblings of JT Kirk to the wheel of
Neuenfels should be a review?
Nothing but platitudes, an abysmal hatred of all things,
which has hit grumbles are common here.
Who despises a certain Muskgenre principle, the
abstains
In any case at this point no comment and are not
a moralizing verdict as a quality judgment on a work
out.
The "reviewer" Kirk is therefore not only willing,
to establish where the alleged he "taste perversion"
and consisting "Dummdreistigkeit" of audio medium.
He wants to just hang out großkotzig that this disc
hell-bent on his sense of taste is repugnant.
Perhaps interested want the absolutely do not know
he demonized pop music in the lump,
but receive instructions under musical aspects
about the nature of the work that the reviewer strictly
refuses to deliver.
For the assessment of a thing is at least a general
my interest in the same advance where the judgment by
Review should offer others interested in clues
here the extent to which special interests, whether at a
Book certain subject or at a phonogram in
certain genre, comes to meet or not.
And "Dummdreistigkeit" is certainly not a
Criterion of judgment about instrumentation, melody, harmony,
The vocal, sound technical in music.
