- Begins with "Where I Come From" in the movie Bella's life as a vampire and the soundtrack - a melodic piece with a nice beat, that invites you to dream.
- Ellie Goulding's "Bittersweet" I was very pleasantly surprised, as I had rather imagined including a ballad. What starts out calmly, quickly developed into an acoustically sexy song with catchy potential, reminds me of the scenes where Bella runs for the first time as a vampire in the woods.
- "The Forgotten" would very well at the end of the film fit when the story is told. In the pleasant melody and the text a Bella ''s whole story runs the same again through his head. Green Day are hereby the most famous singer on the album (in my opinion but not the best).
- "Fire in the Water" is the shortest song on the album, but can be seen because of its intensity.
- "Everything and Nothing" tells me not much. The song is rather quiet and romantic disposition are acoustically ago hardly anything special. In the film, I could only imagine it in an intimate scene.
- "The Antidote" (German for "antidote") stands out particularly in my view. The melody is energetic and fits nicely with the scene in the Emmett Bella challenging for arm wrestling. At a tame Bella I do not think there. (The sound me a bit reminiscent of Muse.)
- Pop ETC confused me already by the stage name. The song "Speak Up" makes it not better - average song that there were one or other predecessors on.
- "Heart of Stone" by Iko ... * sigh * Well I can say there, the song speaks for itself - just amazing and perfect for Twilight.
- "Cover Your Tracks" is a melodic song that has something quiet but also expressive (and reminded me oddly enough, to the dance at the prom in the first film).
- "Ghosts" is also a quiet and simple song that particularly impressed by the smoky voice of James V. McMorrow.
- "All I've Ever Wanted" is "typically" Paul McDonald & Nikki Reed (if you know the song). The song is romantic powerful and fits nicely with Bella & Edward.
- "New For You" has a great text, but to my ears rather a stopgap and outside the film is not really something special.
- "A Thousand Years" is known from the previous soundtrack. Here only wait a few new lines of text and a male Mitsänger (Steve Kazee), the candles again brings to light up along with Christina Perri.
- And last but not least the soundtrack is rounded off by a masterpiece by Carter Burwell. With "Plus Que Ma Prope Vie" You can clearly hear out a story. It lived through several (musical) facets - from the scene in the meadow up to epic sounds - and it sounds at the end as if you finally finally arrived at the end of a difficult but important journey there where you belong.
Conclusion:
While it is not the cream of the crop, but the soundtrack is still a must for any Twilight fan. Unlike its predecessors, I am with this (except for 2 or 3 "unnecessary gap fillers" mostly satisfied.