But peace must not be equated with boredom. However, this is also the case with the third and fourth foray into the world of Robert Kirkman's undead.
You do not really get used to the walking dead, Chapter 7, when the narrator once again as not integrated into the story itself, but admits to being outside standing. While it happens rather late and it is hoped that it does not come, but come it as safe as the shuffle with the Zombie, which again must all too often serve as a description of Schleicher, Stinker, Walker etc.
With most speakers because it has still done a disservice, because Jürgen Wolters Dale, Ulrike Donna Hübschmann, Tino Allen Kießling, Mark Glenn Tiwi and several other speakers do not seem to hold the story for a radio play, but for a HörICHLESEJETZTWASVOR. The Walking Dead are dead, not the people the speaker really should give him life for them. However, most roles are towards Oh, what? I am always depressed! created and implemented so.
Similarly, the action sequences are richer a decal spokesman benefits. After I listened to a brief excerpt of the Polish original which was inferior in drought and spartan facilities in his German pupil not clear to me why you went so lame and leisurely to the (German) Chemical and its implementation approach. The 1: 1 takeover of the effects, etc. to read nothing else than in this country to take refuge in the boredom of the template into it.
One could get so much positive from such a story out, but unfortunately it uses the potential of the world and characters of not even close.
Maybe I was preconditioned by the first two episodes, but now my Southern Music confidently on my nerves because I feel attached only as dominant and OPFT of the vocal performances aside. Let's go, Cotton Pickens ...
Again no improvement as expected, because how can you change something in a product have already been published yet. Perhaps there is some point to The Walking Dead The STIL-Directors-Cut?