The Double A-Side, Fat Bottomed Girls / Bicycle Race ', and above all, do not stop me now' were the immortal classics of this plate. FBG has actually a pretty sedate reef, but that evolved through the arrangement to a rough-drying, and thanks to the choirs and to a typical piece Queen of those days. The playful, Bicycle Race 'comes with surprising, but catchy phrases, therefore, and the impetuous, do not stop me now' is not only one of the party classic race, but was finished by May even with a short, but enormously effective solo ,
The Deacon piece, If You Can not Beat Them 'While rocking, but still has the latest in the chorus this Deacon'sche pop melody and Mercury's, Let Me Entertain' is one of the fastest-rock songs of Queen, the Robbie Williams' hit same title is likely to have significantly influenced. Both pieces were domestic concert highlights of the band.
The opener, Mustapha 'Married managed rock and Arabic music and is with his mimicry-lyrics very entertaining. The Freddy ballad Jealousy 'Sentimental comes along and sounds - just like Deacons, In Only Seven Days' and Mays' 20s Blues, Dreamer's Ball' going strong after, A Night At The Opera '.
The frenzied, Dead On Time 'must not be forgotten, in which less experienced singers probably problems with the exact pronunciation of the chorus line you would get.
, Fun It 'by Taylor then for the first time as a disco touch, which two years later with, Another One Bites The Dust' culminated in a hit.
The Closer, More Of That Jazz 'is fascinating for its hitherto never on a Queen record belonged gloom and his sluggish but hard beat.
, Jazz 'has often been criticized for his style even more diversity. Ultimately, this is all great but Pop in different robes and presents a band that was actually open for almost every direction, and it still managed all these vesrchiedenen styles to collect revenue for themselves. A large and important Queen album that finally established the band as a fixed size and unique in the music business, and also a classic of the 70s.