This music has definitely plan more. It is unexcited. Weiser. Profound. She has a lot more time. It aims rather indirectly on the floor, maybe on the edge of the floor, where I am usually not gone beyond Rumstehen and-decorating. Not directly dance music so; but which, in that you can dive deep, during which one rumsteht kuckt, and periodically drifting in dance moves, awake, excited and taken at the same time. My favorite way to conduct the Goa parties which I now and then visited earlier. I liked the general vibe, as long as it was not hippiesk to contaminated, and the music was sometimes too esoteric to me.
These are the 7 tracks, from which "ex" is and go through in one, of course not. Hawtin is and remains a minimalist, consisting of a half handful of signals as much as rausholt not manage Reduced with dozens of channels. A Kick, sporadic 909-sheet, an area, an acid line, a hint keen sense of the Cutoff knob and feeling comfortable with reverb and delay. Especially the first 5 tracks coming out with these ingredients. Open, flowing, extremely spatial music that makes Miles accordance with its laws. Things disappear, come back, modulate, interact, separate again. Some event acts arbitrarily at the first, the second time listening: If the opener "Exposed" at 5'12 '' uses the Ride, one wonders, "Why just because" - But just such subtle irritations make things exciting course. Am I wrong, or sounds of this bent metal sound of "explore" how the comic bent organ sound in Sun Ra "Space Is The Place"? That would definitely be fit, although I do not find "Ex" interstellar ... That should be no devaluation, the album is fantastic, but I feel more like on a harbor cruise through Utopia Planitia. And this buzzing areas that are growing in the concluding "Exhale" are passing area (located in this case in construction, gigantic starships).
