The pageantry of the Suite No. 3 is announced with a charm that softens the righteousness of dotted rhythms in French. The texture of the Aria remains soft without affecting the accuracy of arabesques that shape the English bows, finding the right balance between expression and sobriety.
The timpani offer a bounce at once firm and discreet trumpets of the Gavotte, authoritarian and dominate the regimbante Bourrée.
This reading of the Suite No. 4 shines in a perfect mastery of orchestral timbre and dynamics, where the pump evaporates mirages hedonists.
His sparkling harpsichord, Trevor Pinnock is the architect of this exhilarating realization that balances I know better than any other subtle intentions and sound seduction.