Ironically, yet so predictable, in March makes it Kaas scapegoat. Even oh so highly acclaimed media formats in the public service break 'Amokzahltag: D' so incredibly out of context that I find no words for it myself without being abusive. A wall against Kaas starts, completely misunderstood ... you can hardly understand what it feels like in this situation. But Kaas makes what makes him. He is Love Movement moderate in the track, written the Amok Supplement and replies in absolute Game Over Style for all media his answer. Clearly, the issue rampage is cannibalized two months after the massacre, thus his followers and other interested parties the Supplement will probably primarily as Gemütsbefriediger of Kaas. The media have already sought other poor pig.
This album is a masterpiece. Bursting with ideas, love and fantasy. Here you get some the impression that too much fantasy, love and ideas were packed in too few songs ... may have 20 tracks the album done better? Nevertheless, an absolutely new kind of rap takes the listener on here, and how important it is ... and how necessary it was the German scene ...
Among the songs in detail, you can not say much, because otherwise you would have to go back too far ... but that should be enough to be meaningful to suggest to the diversity of the panel.
I sincerely hope that this Kaas plate can hold in the German music scene by foot, so that more of this young man, we hear and see in the future.
Kaas, if you're reading this, very strong praise and an awful lot of respect for your courage ... Love takes courage in today's world, which unfortunately sad fact is ... you're a huge inspiration and role model. Love Movement for the future of all ...
