Too Bad. Knowing the LP.

Like many others I know the original LP almost by heart. After but a long time and repeatedly placing the LP material I wanted to hear the sound now in CD quality to experience improved hoping the brilliance and quality of the original. (Even in a dark room, yes) In the expectation of knowing conductor who knows the exact course of the score, raised the bar virtually in happy anticipation, but then I let this sink quite quickly.
Which original material was howsoever remastered and pulled by which tapes does not matter: what Parson and colleagues have done here is simply a crime. Sound - and fidelity each other. "We've got time yet changed guitar riffs to play. Organ Part strengthened ..."
And then the whole Sums beautiful mixed digitally without knowing what might happen if mans does not make right? Have some LPs from the 70s and 80s new mixed digitally belongs and which had succeeded.
This is not! As the change of a dialogue in a well-known film, the score changes, color shifts a known photos, this CD will be released in an unusual, almost unpleasant robe. The ear pleasant arrangement of the original LP is certainly there. What is mentioned in the CD accompanying the advantage of digital processing: highlighting individual instruments present Machung various parts is for me a real intrusiveness precisely these tracks, which contradicts the expected balanced hearing. Not to be confused with the momentum that is certainly present. This then but to experience in their way by turning accordingly loud is loud and extremely unpleasant. Vermurkst.
And, no, my system is not equipped with a high mediocre CD player where the (often postulated) pleasant analog sound of the turntable is the measure of all things.