At Giverny, where Monet ended his life, a murder was committed. Three women gravitate to this intrigue, without knowing exactly how they are involved in this tragedy ... The pieces intersect, collide, but the goal of the author is obviously Us but see how they fit together. There are only partially successful. On the one hand, it is suspected rather quickly what unites these three women, although Michel Bussi has a knack of slipping clues that cast doubt. Moreover, one has the feeling that the author is so attached to confuse us that his story becomes convoluted and is more credible and, above all, certain key characters starved thick. If the children of the village or the old lady grumbles are credible, it is hard, for against, to believe in this young inspector who is more like a series of American actor than a real policeman, and also leads his investigation despite common sense. It is difficult also to feel touched by this great teacher who is presented to us as both an intelligent and sensitive woman, but that attitudes vamp outcome of the most common male fantasies ... These inconsistent figures reinforce the impression that this book is more a mind game than a true story. Too bad, because the plot could have been very exciting and engaging story lines if they had been one and the other with more subtlety and sensitivity
