The most convincing therefore were the minor characters, especially the old Mr Black, who accompanies Oskar months on his quest through New York, and of course Oskar's mother for me. Her figure looked most consistent to me, and her way of dealing with the loss of her husband, was poignant and credible. That she ekes out an existence only at the very edge in the novel, is understandable because their undramatic prudence does not fit with the dramatic theme of a Dresden-9/11-double shock together.
From the plot ago I was ready to follow Oskars months of Quest to every Black from the phone book. Where I had a lot more problems, was the history of the grandparents. I am rather disturbed the clichéd Gutmenschentum their parents who thought of course a Jew hiding, and that bothered me Thomas Schell's return to Dresden. His time in the DDR is for Foer novel wholly irrelevant (Thomas Schell would also be able to return to Fiji or in the Gobi Desert), and I'm probably the only one who has wondered how it has worked well in the GDR, when English had tattoos on his palms.
The novel seemed to me prätenziös; Trauma Trauma Trauma and American upper trauma Tragic Tragic flowed for me from each set. That the trauma trauma is then doubled with Dresden, then I was just too much (even though it may have perhaps actually given in such cases).
I was Foer novel disappointed. 2 stars.
PS: The unabridged audio book in the English original is read well, especially the two male voices that I liked.