Overall, seven previously unreleased songs are on the album. In addition, the two Jeanny, Hombre Que Pasa, Poison were (both on "Damn we're still alive," already released) and a second version of "The Spirit Never Dies" to packed, so that we arrive at a total of twelve songs.
So we come to the new songs:
* Return to Forever: a scandal to publish it at all, because this piece is clearly why the Falke have buried it in the basement. It's an unfinished impression and Falco controls only a few tones at.
* Nuevo Africana: Can I listen to quite, but certainly not extreme thriller complacent.
* Sweet Symphony: Go that way. If you hear it often, it is not so bad.
* Kissing in the Kremlin: well-to resurrect the Commissioner once again an attempt. Very strong based on the style on the album Falco's solitary confinement. The backgrounds are a bit annoying, otherwise really interesting.
* Dada Love: Classic Falco rap. As the title says Falco tried here on Dadaism. Vaguely reminiscent of Kraftwerk (Tour de France, highway), but with Falco-typical elements.
* Forever: can not convince. A bit of symphonic sounds and that was it; whether Falco has ever contributed a sound remains open. As the introductory song not typical Falco. Would be better to stay in the basement.
* And of course, The Spirit Never Dies: Definitely the best of the new songs. Was already fallen when he was played on Ö3 the first time.