Very good voice, lousy arrangements

Helene Fischer is admittedly one of the best voices of the pop industry. But the overall appearance of your recordings sound very lousy, despite their convincing performance. This is due to the barely undercuttable production standards in Schlagermetier and producer team that barely dares to attempt to score with quality and standards and to develop in this way greater consumer requirements.

As instrumental accompaniment synthetic Computerarrangemants have to serve that, as it seems to be re-mixed together with any artist of the genre after the block method. People who never hear anything but modern pop, no longer know what charm real strings scenes, saxophones, clarinets, electric and acoustic guitars unfold (no electronics imitation) or piano, let alone sound like good real percussion or a polyphonic background choir. Instead, they produced on minimal level with cheap together tinkered sound canned from the electronics workshop and leaves great talents like Helene Fischer wither in synthesizer trash milieu. Eternally a pity ...

As if it were not bad enough that today a piece as flat sounds like another, even throughout this unspeakable Discofox-rhythm must get the better recently.

The hit of the 60s and 70s have not been produced on an assembly line, moving musically though at a high level and still could unleash real buzz. Back then conquered hit albums even series, the top positions of the charts, now manages the most, now and in folk music leaders and disco Einpeitschern like Michael Wendler (who has hardly anything to do with the hit).

My rating is composed as follows:

Helene's vocal performance: 5 stars (highest rating)
Songwriting: 2-3 Stars (their earlier works were better)
Arrangements, instrumental accompaniment: underground