At the end, on this funnel let me now but you have to know a movie by heart in order to collect a score in its quality can fully. Before I saw the film "WALL-E" were the songs pea-sized chocolates, whose filling taste flashed briefly. The songs I found disturbing, devoted myself to them hardly. Even his fish movie was short of breath with great moments in the score, but too heterogeneous to oops Hopp in the opposite mood switchend and then decelerating, as it were, without the capabilities of a David Newman that this to turbulent, incredible music to "The Cat in the Hat" led. However, Brother Thomas is the master of the limited torque themenverlängernde measures are not his thing. Now I have "WALL-E," which is not landed on the cover of Film Comment without reason and is one of the three best animated films of all time, seen seven times, the space-dance even twenty times, and other scenes almost studying and the score seems to me now so perfectly before that I still want to miss less than a minute. So the CD has also received reminder - with each new clock a related image is retrieved. Thomas Newman's heartwarming music when the nostalgic cleanup robot first anknipst the light in his crowded Wunderkammer, makes me the animated child. Then the "Ballet Scene," which is for me the most poignant, perfectly getimtesten sequences of animation history ("Define Dancing"): Newman makes it not just complicated, the easiest thing is good enough for him, but it depends on the overall effect of image, music , sound and editing, and the music has a mind not to be underestimated share. Even the songs that actually have a function in the film, are no longer a foreign body, but important fixed points on the soundtrack. I admit that some cues are compositionally little too pop, the electronics can be annoying at times, synthetic choirs are beyond the pale. I would love to kill five or better seven sound crumbs on this CD. Still beautiful.
