Linda Ronstadt that he helped popularize in the period 1974-1977 to the Beatles individually (except George Harrison), through Carly Simon, Art Garfunkel, Ray Orbison, Jackson Browne, Don Henley, the Nitty Gritty Dirt Band and James Taylor (jen on of the best), Gold lautodidacte has demonstrated so fabulous provisions in practice of his art, that he sent word to Peter Usher, producer and longtime friend the Gold talent was presqueffrayant and everything wrote that he was impressed of elegance, although his work has not known what success deserved.
His work begins with the album namesake Andrew Gold (in full listen here), released in 1975, for which, just reward, it enjoys the vocal support of Linda Ronstadt, but also instrumental Lapport Kenny Edwards (lead guitar and backing vocals) , Dan Dugmore (pedal steel), Peter Bernstein (bass), Bobby Keyes and Trevor Lawrence (brass), Mike Botts, Gene Garfin and David Kemper (drums).
This first draft for Asylum, in addition of being in the spirit of the moment California is mainly a relying album on an excellent collection doriginaux west coast, neat as we love her and driven by a young man dalors 24 years.
Produced by Charles Plotkin and arranged by David Campbell, this excellent set of power pop type of songs, flavored dune touch of country, although in the mold of the mid-70s and LENDROIT, is pulled by the convincing Endless Flight, evoking a phobia take the aircraft following the worst turbulence that he has had to endure over of a flight on a tour with Linda Ronstadt. The album is full of beautiful songs like Endless Flight or Heartaches In Heartaches and Love Hurts, especially where Linda Ronstadt appears.
If the directory is kept, it has no big surprises so far; tuned around is nice melodies nauraient not odd in the catalog of McCartney's friend. Gold plays almost all the instruments there. Good work (PLO54).
