Who collectors and lovers is also good German Rocks, all MMW albums has, to a number of his singles, has visited repeatedly live concerts of Westlife coming possibly also against better knowledge the end sometime 'Hottentottenmusik'. So I went anyway. But already at the first hearing, the question of why. Why this live album just four years after the quite ordinary 'When the light falls on you'? To Westlife oriented but now back to the Stones - every tour the live concoction? After the meantime just another studio album? With 'We are fed up' just a title - by far not the best - of 'Williamsburg'. The song selection convinces total nicht.Offensichtlich the effort to pack and has not been published live tracks on the CD. 'Hottentottenmusik' is simply uninspired. The new band should sound walk, but there is a lack of momentum, they abducted the songs ('Just a dream'). The compilation 'request concert' in 2008, then left a very similar feeling - unnecessarily. There are worlds between the Westlife in 1987 ('Westlife') and 1998 ('Radio Maria') and the Westlife in 2011. This applies to the Studio and also for the live albums. Too bad, too bad. The memory of the past and our culture are the event certainly deserved protagonist German Rocks continue regardless of its exorbitant ticket prices, the halls fill. Works at Lindenberg indeed great (and at the Stones). It was granted him.
