When you have two names, one can get away

After his performances painful in Verdi's opera, La Traviata, which range n'est absolutely not adapted to its type of voice, following its statement to set aside the lyrical world, our great singer Natalie Dessay in s'allie Eternal Michel Legrand to revisit his work. It is understood that Ms. Dessay seeks a second wind and second public, it is unfortunately not the only one to do it, but then there! How can cete follower of bel canto go astray at this point. His voice is unrecognizable, his whole style is mannered. A trifle. Mr. Legrand, who can not afford to sing, but still a huge technician, does what he can to save the sinking of the ship, but to no avail: They have to do too much: and I sing a sentence and you sing a phrase. And I sing a word and you sing a word. This is insupportable.Tout is affected, technical, unnatural. Listen to this original recordings of Michel Legrand while he still had the voice. Are we to believe they still need more money? This CD is a massacre done by two names that can get away with anything, while there are so many beautiful voices who are struggling to exist. Please, ladies and gentlemen tired stars, space for young, up talent.