1929 Cole Porter grabbed these lines in a song because apparently he knew that Markus Duschek would consider this to his personal Mardi Gras in the world to send the addition of the radio play.
Somehow you have to yes with the review, or how to do that here also likes to call it, start yes and I did not want to start again in order to explain that this is a radio play for adults here, because it is murdered brutally, use a non-housebroken language The main protagonist is a lesbian painter, which ascribes no less than the alcohol. So all in all not a radio play for Töröhexhexjustuspeterbobaffine.
As far as to the extent and even betrayed a lot.
Each of the participating creators of the radio play is personally known to me and anyone with criticism relatively good deal. Best of all it could Markus Duschek, but in its history, there is absolutely nothing to criticize. As you know, the MindNapping nothing supernatural uses to tell a story that is clear from the beginning that everything will somehow dissolve realistic. Duschek also plays not even lure with the possibility of the supernatural to the listener on the wrong track. His story is a tribute to the sweaty streets of Mardi Gras in New Orleans and its Loas, and a sexually underlying tension, which the radio play uses repeatedly in his complete season.
The music of Marcel Schweder, which is also the mix and mastermind this Mardi Gras, it goes once again skillfully with pounding Basstrommelrythmen and multiple undertones to create a mood that is not condemned to tip the mood even seconds long track reconciliations to. Schweder is an ace when it comes to music can act without being intrusive to be the main focus. Often proven again and applied here also positive.
Eleven speakers. More, it does not need to equip the occupation here. Ten of them fit into the picture and only one whose voice I could not assign a name and thought she was a semi-professional, stands out negatively.
Alexandra Doerk which, not an unknown quantity in the German radio speaker universe is according to my Google search, I previously had no idea, since it has mostly played a part, according to various radio speaker databases in child and youth radio plays. Unfortunately you have to say here that it attracts the quality of the speaker casts down a bit, because their performance can not be compared with the views of their colleagues. She seems a little stilted and uninvolved besides giants like Katja Brügger, Udo Schenk, Gordon Piedesack and Detlef Bierstedt.
Katja Brügger and Udo Schenk deliver here a very amusing illustration of a very unequal young couple on the same kind of mission. The prickly assessed and lesbian auslebende painter with a penchant for Jack (Daniels) seems to have been women Brügger almost written on the smoky timbre and the no less sarcastic and sexually licentious active gallery owner with a penchant for plump ladies fits Udo Schenk organ as the needle in the doll.
What does Mardi Gras because now a listener? If you like horror, finds here a little splatter and a lot of Psycho. If you like thrillers, is pelted with quite deep popular characters, because that is a matter which author Markus Duschek gladly served 'people to fathom. If you want a high quality (I can not think of another term a) wants to hear radio play, which will also find this here.
Mardi Gras is pure entertainment. Only the appearance of Alexandra Doerk the tension sagged with me a little through, but overall this is a radio play, which can be enjoyed in the second ear canal.
